Reel Bad Arabs

topic posted Tue, June 9, 2009 - 2:36 AM by 
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Reel Bad Arabs: How Hollywood Vilifies a People (ISBN 1-56656-388-7, Olive Branch Press) is a 2001 book by Jack Shaheen where he surveyed more than 900 film appearances of Arab characters. Of those, only a dozen were positive and 50 were balanced. Shaheen writes "Seen through Hollywood's distorted lenses, Arabs look different and threatening."

Jack G. Shaheen (born 1935) is Professor Emeritus of Mass Communication at Southern Illinois University.

I have not read the book, but did see a television interview of him on this.

It was very interesting on the stereotyping and thematic tool of the "evil Arab" in Hollywood.

It was especially interesting to realise Disney's use, particularly given their audience, of the myth in movies like Aladdin and seeing short extracts from so many movies really made me realise how frequent and powerful the recurring image is and I think he is right in describing this as vilification.

JACK SHAHEEN: So there is this cloud with the hate crimes, with the profiling, with being rounded up. Again, I think this illustrates the power of film. That in spite of the reality, in spite of the material that we know to be true, we still embrace the mythology. The mythology is still a part of our psyches. Stereotypes take a long time to wither away. And for many of us, we’re comfortable with our prejudices. We don’t want to change. We’ve grown accustomed to this face.

JACK SHAHEEN: The stereotype has become so widespread that it’s become invisible to people, and the reason being is that we’ve all grown up with these images. Just look at television. We now have TV shows telling us that, in addition to the Arab terrorists over there, American Arabs over here are also terrorists. Then there’s Showtime’s “Sleeper Cell.” Here a sinister network of Islamic groups operates on American street corners. Any homeless man could be part of this network. Even Western looking Arabs are part of this anti-American conspiracy.

IMDB says
This groundbreaking documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged form the earliest days of silent film to today's biggest Hollywood blockbusters. Featuring acclaimed author Dr. Jack Shaheen, the film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today. Shaheen shows how the persistence of these images over time has served to naturalize prejudicial attitudes toward Arabs and Arab culture, in the process reinforcing a narrow view of individual Arabs and the effects of specific US domestic and international policies on their lives. By inspiring critical thinking about the social, political, and basic human consequences of leaving these Hollywood caricatures unexamined, the film challenges viewers to recognize the urgent need for counter-narratives that do justice to the diversity and humanity of Arab people and the reality and richness of Arab history and culture



The full 50 minutes of the show video.google.com/videoplay I recommend watching it.


Quotes obtained from "Transcript" at www.mediaed.org/cgi-bin/commerce.cgi (with short extracts from the film)
IMDB says www.imdb.com/title/tt0948465/plotsummary
The post 1980 movies he sights as worst offenders en.wikipedia.org/wiki/Reel_Bad_Arabs



Would you say you have an awareness of this vilification ?

For me, I would have to admit I was desensitized to this.. In extreme honesty I would have to put my hand up to "The stereotype has become so widespread that it’s become invisible to people, and the reason being is that we’ve all grown up with these images. "

Worth thinking about..
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  • Re: Reel Bad Arabs

    Tue, June 9, 2009 - 2:53 AM
    Watching it again now..

    There is another quote which hit me when I saw it the first time'

    JACK SHAHEEN: The humanity is not there. And if we cannot see the Arab humanity, what’s left? If
    we feel nothing, if we feel that Arabs are not like us or not like anyone else, let’s kill them all. Then
    they deserve to die, right? What’s the outcome? What do Arabs think of us that see these movies?
    Because these movies are rented 25 cents American in Egypt. Movies showing us killing them, what
    do they walk away with? Does this bring us closer together? Does this advance peace or does it
    separate us?

    &

    JACK SHAHEEN: Islamophobia now is a part of our psyche. Words such as Arab and Muslim are
    perceived as threatening words, and if the words are threatening, what about the images that we
    see in the cinema and on our television screens? We are at war with Iraq. We went to war in March
    of 2003, but didn’t our entrance to war, wasn’t that made a lot easier primarily because for more
    than a century we had been vilifying all things Arab? And now, given what happened with 9-11,
    the tragic events that took place on that day where 19 Arab-Muslim terrorists were responsible
    for the deaths of nearly 3000 people. Now instead of saying, that’s the lunatic fringe, we say no
    no no no, the actions reflect the actions of 1.3 billion people. Now that’s dangerous. We don’t say
    that the actions of Ku Klux Klan members who are Christians represent Christianity, do we? Look at
    Oklahoma City, Timothy McVeigh, a good Irish-Catholic boy. Do we say all Irish-Catholics are terrorists?
    No one knew McVeigh’s religious beliefs, where he went to church or his ethnic background. It
    was not part of the story. Yet of course had that been an American with Arab roots or an American-
    Muslim, it would have been a part of the story. Remember that when news of the bombing broke,
    reporters and politicians, nearly everybody, rushed to judgment without any proof whatsoever.

    [CLIP, MEDIA COVERAGE] Voice 1: The US government source told CBS news that it has Middle East terrorism
    written all over it.
    [CLIP, MEDIA COVERAGE] Voice 1: The attack in Oklahoma City appears to have a familiar mark.
    Voice 2: This was done with the intent to inflict as many casualties as possible. That is a Middle Eastern trait.
    [CLIP, MEDIA COVERAGE] The fact that it was such a powerful bomb in Oklahoma City immediately
    drew investigators to consider deadly parallels that all have roots in the Middle East.
    [CLIP, MEDIA COVERAGE] ABC News has learned tha t the FBI has asked the US military to provide up
    to ten Arabic speakers to help in the investigation.

    The stereotype has become so widespread that it’s become invisible to people,
    and the reason being is that we’ve all grown up with these images.
  • Re: Reel Bad Arabs

    Wed, June 17, 2009 - 8:05 PM
    "Would you say you have an awareness of this vilification ?"

    Yes. But possibly because I'm Middle Eastern.

    Having encountered a shit-ton of folks who had never spoken to a Middle Eastern person before (to their knowledge, anyway) and fielding their questions has also convinced me that Arab/Mid-Eastern hatred/fear is definitely one of the aspects of media brainwashing that has been around for long enough to have normalized such thoughts in folks.
    • Re: Reel Bad Arabs

      Thu, June 18, 2009 - 1:37 AM
      Thanks for the response Mammut.

      I thought this was an important post and was saddened to see it sink..

      Did you watch the video ?
      • Re: Reel Bad Arabs

        Thu, June 18, 2009 - 3:05 AM
        Good man Bloke, this is a problem with the Western left-wing and right-wing equally. Whether it's in the name of politically correct human rights, or Christian-fundamentalism colonialism, negative stereotyping and fearmongering makes a bad situation worse.

        If you want someone to recognize behavior patterns that don't serve their community or theirs, throwing hate will not help, but TALKING TO THEM might!
  • Re: Reel Bad Arabs

    Fri, June 19, 2009 - 10:07 AM
    Bloke - "Would you say you have an awareness of this vilification ?"

    Yep. I've got quite a few friends who are Persian and Arabic, or who get mistaken for being Persian or Arabic because they're brown skinned, so I'm aware of the vilification. (And also the longstanding fear of Arabic and Persian people in the US. I heard about the threats and vandalism that anyone perceived as Arabic endured followed the Oklahoma Bombing - the assumption was made that it was "Arab terrorists" even though only an American would bother bombing a boring government building in the US heartland and a kindergarten or consider it such a good emotional - as opposed to actually being political - target.) Disney has long been a purveyor of xenophobia and cast non-white people as idiots or villains (not to mention ripping the beating heart out of fairytales, meaning their actual substance and message, and replacing it with fluff and propaganda - in their original form, few fairytales are actually about passive girls being saved by princes). But let's not forget that Hollywood also trivializes and/or demonizes Asian people, women in general, more often than not Black people too, and so on. Even white men (particularly poorer or very wealthy ones) but then, of course, it's also usually a white man who is the hero so that kind of cancels itself out. Considering how big and populated America is, there is a surprising lack of diversity in the films produced (particularly if you look at what is produced elsewhere). Thanks to Harold and Kumar, at least now ALL East Indian guys don't have to talk like Peter Sellers pretending to be East Indian (only most of them).
    • Re: Reel Bad Arabs

      Fri, June 19, 2009 - 4:14 PM
      It's so unfortunate that you have to go out of your way to see the independent films. I try to get to the Toronto Film Festival and usually get a pass for 25 films of the 100's on the list.

      The best and most balanced films I've ever seen have only been seen by a handful of audiences. The Hollywood business model has all the distribution end of the business wrapped up tighter than a drum so they don't have to compete with anyone except against the two or three big studios.

      Speaking of Disney, we did a family night out one time and the sister-in-law wanted to take the kids to the theatre so we ended up going to see The Hunchback of Notre Dame. My boys were old enough to let sit in the theatre with their cousins and aunt so I got up and left when I could not keep my anger under control any longer. That story was so twisted in Disney hands as to be unrecognizable.

      So how can we have any influence and get the Indy films into the theatres. Some of these stories are spectacular and the cinematography is brilliant.

      I vote with my feet by not going to the hollywood films in theatre but save up for my film fix at TIFF in September or Toronto Hot Doc's in the spring. What do you folks do to take back your power?

      Oh and one more thing, I'm not sure that we have a higher percentage of immigrants here in Canada but they seem to be spread out with some even in smaller towns. For example, I was part of a group that sponsored an Iranian family in December 2005. They had experienced imprisonment and torture for having questioned a government policy. The family had escaped Iran to live in a Turkish refugee camp in late 2001. I don't know if there are any comparative studies but my inclination is that there is more accepting of the "different" here. I'm not saying that Canucks are better than the US

      The reason they got out of Turkey was because in November 2004, GWB gave Turkey an ultimatum: either you stop sending Middle Eastern refugees from these camps to the west by December 31, 2004 OR you don't get your US Air Force base. For those few weeks people in many Canadian communities (and I expect in many countries) formed committees to figure out how to sponsor a family. I know it's a drop in the bucket but we took 400 families into Canada in those few weeks before the gates were closed.

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